Show Visuals

A set of 3D visuals made for RZRKT's live sets. The brief was a dark, cinematic universe that matches the weight of the music: chrome winged creatures, red light, storm clouds and ruined cities. Each clip is built to loop seamlessly on LED screens and can be triggered live, so the show can switch between calm and intense moments with the track.

For HYDRA, the goal was a strong opening moment: a giant mech waking up inside an industrial hangar, before the neon HYDRA logo takes over the screen. The robot was modelled and animated in Blender, then rendered in 4K so it stays sharp on large festival screens. The logo exists in two colour versions to match different stage lighting.

A burning horned helmet turns into BREACHR's logo in a burst of fire and sparks. The piece works as a set intro on stage and as an announcement on socials.

Collectif Munera asked for the full visual campaign of ATLAS II: an ancient world of colosseums, giant statues and a glowing purple cube carrying the names of the artists. From one 3D universe I produced the poster in every social format, a teaser, the animated line-up and individual artist announcements, so the whole communication tells one story. For ATLAS III, the universe moved to deep blue and a cosmic temple.

Noir & Blanc runs techno nights in Bordeaux and Biarritz. For each event I create a 3D key visual (chrome creatures, red wireframe landscapes, masked faces) and turn it into posters and animated reels. The resident announcements reuse the same frame, so every new name fits into the collective's identity.

An ongoing collaboration on DuskyWave's releases. Each single gets its own cover, always within the same red and black identity, plus an animated version for Spotify Canvas and Instagram, so every release is recognisable at a glance.